Willy Sommers, the David Yow of the Belgian music scene, was the brilliant apotheosis of four days of Muide Feesten. Using cheap casio records and FX pedals Willy painted a soundscape that transformed into a metallic, meditative and pastoral zone of dense noise and crackling motifs of emotion. Afterwards Willy was not too shy to handout autographed photos to - dixit Sommers- one of his favourite bands: de portepols.
Photo: Willy, me and Xavier of Delboy Records, the record label that releases Willy’s more experimental outings.
